TLJ is what I think gave the sequel trilogy… hope.
TFA is very much a nostalgia grab re-tread of ANH. Which is the point. Evil has come back and something something it rhymes.
TLJ is all about breaking the cycle. The hero? She isn’t a chosen one. She is a random unhoused garbage goblin. The reluctant hero? He isn’t coming back for selfish reasons (wanting to bang Leia) and is instead realizing that he is part of something bigger than him. The confident scoundrel? He got told quite definitively that he is a childish moron who gets people killed and to do better.
And Luke? if he was really The Chosen One… why did everything repeat? The stories of our parents aren’t gonna solve things so let’s try something new. Let’s democratize force powers. Let’s ACTUALLY fight against tyranny.
And then China allegedly got pissed and Disney had JJ come back to undo everything in the first 30 minutes of ROS. And only really succeeded in making a movie that EVERYBODY hates.
That said? Rogue One and Andor were somehow snuck in there and those are very much a Star Wars made for people who grew up watching the prequels. And it is amazing for it.
Luke was possibly a second try for the Force (which assumes some type of agency, but any of these theories do). Anakin met all the Chosen One criteria, except he turned (thanks to the Jedi Council and Palpatine’s manipulations of them all). Luke was both a redemption for Anakin, a removal of the breaker of the prophecy (Palpatine), and a hope for the future. A second Chosen One, one who might be as or more powerful than Anakin in his prime, since he has the blood and gift but not Anakin’s personal trauma that haunts and detracts him.
I think the biggest flaw of the sequels was the vagueness of why Luke couldn’t renew or reimagine the Jedi again in a better form. It’s glossed over to give a minimal backstory for Kylo, Snope is even more unclear and ended up being nothing, and why it drove Luke into isolation still isn’t really told.
I liked TFA. I didn’t like the start of TLJ. I expected a better thing that Luke just “meh” with the saber and the apathy towards everything. I wanted something deep and dramatic, tragic even. I was okay with Rey being no one special, that actually was the best part of TLJ (the end with the kid and broom). That seemed very interesting to follow.
Technically Anakin brought balance to the force. There used to be a bunch of Jedi and a few Sith. Because of Anakin, now there are a few Jedi and a few Sith.
Shoot, what was that comic where Yoda demonstrated his concerns about Anakin using salt and pepper? He dumped them both out, stuck his finger in the middle, and blew all the rest off the table. He lifted his finger, showing only a few grains of each left, and said “balanced, it is”
I hadn’t heard that China might have pressured Disney about the democratization of heroism, but… I could see it. I agree TLJ felt like a bit of a downer – especially coming from the abandoned Expanded Universe novels where Luke hadn’t done the best job but at least had set a direction for Jedi to come back into the galaxy. I still don’t love Rey’s encounter with the dark side.
But the disruption of every story beat, the possibility of being a hero because YOU choose to step forward, that was a great twist. The broom scene should have set the direction of the terribly named Episode 9…
Maybe I’ll slip Rogue One in and drop Episode 9. Still 9 movies, and only really regret the first one.
Luke was the son of the evil warlord who single handedly changed the fate of not just The Rebellion but also The Galaxy (and yes, I know the EU expanded on that to make it less the case). Was he the one in the prophecy? No. But from a narrative/trope perspective, he was 100% The Chosen One.
Potential for a completely unrelated future story, not the end of the one they were trying to tell. TLJ is why RoS is as bad as it is. It sacrificed the future for a subversion level high score.
I think a third part could have been really well done from where TLJ ended … you have a goodie who has literally come from nothing and maybe doubts herself as a result, and a baddie who got that way because he came from a dynasty of important people and believes his own press.
From there a story could be woven on the themes of them both changing who they are, how they see their respective worlds … to achieve success, or forgiveness, or love.
Love doesn’t necessarily mean romance - it was mentioned that Ren had been sent away too early, so his weakness for the dark side may have been there because of a lack of parental love, for example
TLJ wasn’t really a middle story, though. It was a downer ending. After that there was nowhere to go without a generational time skip and a completely new story that would be inappropriate for a trilogy. There was no big antagonist anymore, there was barely any protagonist left, and every dangling plot thread was ruthlessly cut short.
Contrast it with ESB and you see with that you while have a bittersweet end to the movie, you do not have an ending of the story. Lucas even left room to bring back Han who he just sort of killed.
TLJ is what I think gave the sequel trilogy… hope.
TFA is very much a nostalgia grab re-tread of ANH. Which is the point. Evil has come back and something something it rhymes.
TLJ is all about breaking the cycle. The hero? She isn’t a chosen one. She is a random unhoused garbage goblin. The reluctant hero? He isn’t coming back for selfish reasons (wanting to bang Leia) and is instead realizing that he is part of something bigger than him. The confident scoundrel? He got told quite definitively that he is a childish moron who gets people killed and to do better.
And Luke? if he was really The Chosen One… why did everything repeat? The stories of our parents aren’t gonna solve things so let’s try something new. Let’s democratize force powers. Let’s ACTUALLY fight against tyranny.
And then China allegedly got pissed and Disney had JJ come back to undo everything in the first 30 minutes of ROS. And only really succeeded in making a movie that EVERYBODY hates.
That said? Rogue One and Andor were somehow snuck in there and those are very much a Star Wars made for people who grew up watching the prequels. And it is amazing for it.
Sorry, who is the reluctant hero and who is the scoundrel? I think the latter is Kylo, but who wants to bang Leia in TLJ??
Your… mom?
Luke was never the Chosen One, I think you’ve misinterpreted. It was Anakin who defeated the Sith. Luke just scored an assist.
Luke was possibly a second try for the Force (which assumes some type of agency, but any of these theories do). Anakin met all the Chosen One criteria, except he turned (thanks to the Jedi Council and Palpatine’s manipulations of them all). Luke was both a redemption for Anakin, a removal of the breaker of the prophecy (Palpatine), and a hope for the future. A second Chosen One, one who might be as or more powerful than Anakin in his prime, since he has the blood and gift but not Anakin’s personal trauma that haunts and detracts him.
I think the biggest flaw of the sequels was the vagueness of why Luke couldn’t renew or reimagine the Jedi again in a better form. It’s glossed over to give a minimal backstory for Kylo, Snope is even more unclear and ended up being nothing, and why it drove Luke into isolation still isn’t really told.
I liked TFA. I didn’t like the start of TLJ. I expected a better thing that Luke just “meh” with the saber and the apathy towards everything. I wanted something deep and dramatic, tragic even. I was okay with Rey being no one special, that actually was the best part of TLJ (the end with the kid and broom). That seemed very interesting to follow.
Then it lost me fully.
Technically Anakin brought balance to the force. There used to be a bunch of Jedi and a few Sith. Because of Anakin, now there are a few Jedi and a few Sith.
Shoot, what was that comic where Yoda demonstrated his concerns about Anakin using salt and pepper? He dumped them both out, stuck his finger in the middle, and blew all the rest off the table. He lifted his finger, showing only a few grains of each left, and said “balanced, it is”
I hadn’t heard that China might have pressured Disney about the democratization of heroism, but… I could see it. I agree TLJ felt like a bit of a downer – especially coming from the abandoned Expanded Universe novels where Luke hadn’t done the best job but at least had set a direction for Jedi to come back into the galaxy. I still don’t love Rey’s encounter with the dark side.
But the disruption of every story beat, the possibility of being a hero because YOU choose to step forward, that was a great twist. The broom scene should have set the direction of the terribly named Episode 9…
Maybe I’ll slip Rogue One in and drop Episode 9. Still 9 movies, and only really regret the first one.
I loved young Jedi knights!
Luke was the son of the evil warlord who single handedly changed the fate of not just The Rebellion but also The Galaxy (and yes, I know the EU expanded on that to make it less the case). Was he the one in the prophecy? No. But from a narrative/trope perspective, he was 100% The Chosen One.
Rogue one and Amdor are indeed stories for people who grew up
This comment really perfectly sums up how I feel … TLJ ends with SO MUCH POTENTIAL in my eyes.
Harumph.
Potential for a completely unrelated future story, not the end of the one they were trying to tell. TLJ is why RoS is as bad as it is. It sacrificed the future for a subversion level high score.
I think a third part could have been really well done from where TLJ ended … you have a goodie who has literally come from nothing and maybe doubts herself as a result, and a baddie who got that way because he came from a dynasty of important people and believes his own press.
From there a story could be woven on the themes of them both changing who they are, how they see their respective worlds … to achieve success, or forgiveness, or love.
I’m not sure pivoting to a romance movie for the finale would have been any better received.
Love doesn’t necessarily mean romance - it was mentioned that Ren had been sent away too early, so his weakness for the dark side may have been there because of a lack of parental love, for example
TLJ wasn’t really a middle story, though. It was a downer ending. After that there was nowhere to go without a generational time skip and a completely new story that would be inappropriate for a trilogy. There was no big antagonist anymore, there was barely any protagonist left, and every dangling plot thread was ruthlessly cut short.
Contrast it with ESB and you see with that you while have a bittersweet end to the movie, you do not have an ending of the story. Lucas even left room to bring back Han who he just sort of killed.