I’m not fighting for the extremely wealthy, I’m fighting for the existence of competitive open source models. Something that can’t happen with what you’ve proposed. That would just hand corporations a monopoly of a public technology by making it prohibitively expensive to for regular people to keep up with the megacorporations that already own vast troves of data and can afford to buy even more.
This article by Katherine Klosek, the director of information policy and federal relations at the Association of Research Libraries does a good job of explaining what I’m talking about.
Taking artists’ work without consent or compensation goes against the spirit of open source, though, doesn’t it? The concept of open source relies upon the fact that everyone involved is knowingly and voluntarily contributing towards a project that is open for all to use. It has never, ever been the case that if someone doesn’t volunteer their contributions, their work should simply be appropriated for the project without their consent. Just look at open source software: that is created and maintained by volunteers, and others contribute to it voluntarily. It has never, ever been okay for an open source dev to simply grab whatever they want to use if the creator hasn’t explicitly released it under an applicable licence.
If the open source AI movement wants to be seen as anything but an enemy to artists, then it cannot just stomp on artists’ rights in exactly the same way the corporate AIs have. Open source AIs need to have a conversation about consent and informed participation in the project. If an artist chooses to release all their work under an open source licence, then of course open source AIs should be free to use it. But simply taking art without consent or compensation with the claim that it’s fine because the corporate AIs are doing it too is not a good look and goes against the spirit of what open source is. Destroying artists’ livelihoods while claiming they are saving them from someone else destroying their livelihoods will never inspire the kind of enthusiasm from artists that open source AI proponents weirdly feel entitled to.
This is ultimately my problem with the proponents of AI. The open source community is, largely, an amazing group of people whose work I really respect and admire. But genuine proponents of open source aren’t so entitled that they think anyone who doesn’t voluntarily agree to participate in their project should be compelled to do so, which is at the centre of the open source AI community. Open source AI proponents want to have all the data for free, just like the corporate AIs and their tech bro CEOs do, cloaking it in the words of open source while undermining everything that is amazing about open source. I really can’t understand why you don’t see that forcing artists to work for open source projects for free is just as unethical as corporations doing it, and the more AI proponents argue that it’s fine because it’s not evil when they do it, the more artists will see them as being just as evil as the corporations. You cannot force someone to volunteer.
Taking artists’ work without consent or compensation goes against the spirit of open source, though, doesn’t it?
It doesn’t. Making observations about others’ works is a well-established tool for any researchers, reviewers, and people inventing new works. A concept which work perfectly within the open source framework. That’s all these models are, original analysis of its training set in comparison with one another. Because it’s a step one must necessarily take when doing anything, doing this doesn’t require anyone’s permission and is itself a right we all have.
When the purpose of gathering the data is to create a tool that destroys someone’s livelihood, the act of training an AI is not merely “observation”. The AIs cannot exist without using content created by other people, and the spirit of open source doesn’t include appropriating content without consent - especially when it is not for research or educational purposes, but to create a tool that will be used commercially, which open source ones inevitably will be, given the stated purpose is to compete with corporate models.
No argument you can make will convince me that what open source AI proponents are doing is any less unethical or exploitative than what the corporate ones are. Both feel entitled to artists’ labour in exchange for no compensation, and have absolutely no regard for the negative impacts of their projects. The only difference between CEO AI tech bros and open source AI tech bros is the level of wealth. The arrogant entitlement is just the same in both.
Giving all people a tool to help them more effectively communicate, express themselves, learn, and come together is something everyone should get behind.
I firmly believe in the public’s right to access and use information, while acknowledging artists should retain specific rights over their creations. I also accept that the rights they don’t retain have always enabled ethical self-expression and productive dialogue.
Imagine if copyright owners had the power to simply remove whatever wasn’t profitable for them from existence. We’d be hindering critical functions such as critique, investigation, reverse engineering, and even the simple cataloging of knowledge. In place of all that good, we’d have an ideal world for those with money, tyrants, and all those who seek control, and the undermining of the free exchange of ideas.
The problem is that undermining artists by dispersing open source AI to everyone, without having a fundamental change in copyright law that removes power from the corporations as well as individual artists, and a fundamental change in labour law, wealth distribution, and literally everything else, just screws artists over. Proceeding with open source AI, without any other plans or even a realistic path to a complete change in our social and economic structure, is basically just saying “yeah, we’ll sort out the problems later, but right now we’re entitled to do whatever we want, and fuck everybody else”. And that is the tech bro mindset, and the fossil fuel industry, and so, so many others.
AI should be regulated into oblivion until such a time as our social and economic structures can handle it, ie, when all the power and wealth has been redistributed away from the 1% and evenly into the hands of everyone. Open source AI will not change the power that corporations hold. We know this because open source software hasn’t meaningfully changed the power they hold.
I’m also sick of the excuse that AI helps people express themselves, like artistic expression has always been behind some impenetrable wall, with some gatekeeper only allowing a chosen few access. Every single artist had to work incredibly hard to learn the skill. It’s not some innate talent that is gifted to a lucky few. It takes hard work and dedication, just like any other skill. Nothing has ever stopped anyone learning that except the willingness to put the effort in. I don’t think people who tried one doodle and gave up because it was hard are a justifiable reason to destroy workers’ livelihoods.
This isn’t undermining artists, it’s expanding access and knowledge, enabling individuals to take control of their own destinies. Open-source AI will empower artists, existing artists and newly active or returning artists who give this new medium a shot, by giving them the new tools that will push the frontiers of self-expression and redefine creativity this decade.
100 years ago photographers and filmmakers significantly disrupted the careers of most illustrators, story tellers, and theater companies of the time. Despite this, storytelling and image making exploded, entering a new golden age. Musicians panicked over the use of synthesizers in the 80s too often refusing to work with people involved with synthesizers. As a result, there are fewer drummers today than in 1970, but out of that came hip hop and house. Suppressing that tool would have been a huge cultural loss. Generative art hasn’t found its Marley Marl or Frankie Knuckles yet, but they’re out there, and they’re going to do stuff that will blow our minds. Cutting edge tools and techniques have always propelled art and artists forward. Every advancement a leap forward, leaving behind constraints and enabling more people to pursue their creative aspirations.
That reminds me of a presentation I saw a little while back.
If you want to fight against people’s right to freely communicate and express themselves, be my guest, but it’s not a fight you can win.
I’m not fighting for the extremely wealthy, I’m fighting for the existence of competitive open source models. Something that can’t happen with what you’ve proposed. That would just hand corporations a monopoly of a public technology by making it prohibitively expensive to for regular people to keep up with the megacorporations that already own vast troves of data and can afford to buy even more.
This article by Katherine Klosek, the director of information policy and federal relations at the Association of Research Libraries does a good job of explaining what I’m talking about.
Taking artists’ work without consent or compensation goes against the spirit of open source, though, doesn’t it? The concept of open source relies upon the fact that everyone involved is knowingly and voluntarily contributing towards a project that is open for all to use. It has never, ever been the case that if someone doesn’t volunteer their contributions, their work should simply be appropriated for the project without their consent. Just look at open source software: that is created and maintained by volunteers, and others contribute to it voluntarily. It has never, ever been okay for an open source dev to simply grab whatever they want to use if the creator hasn’t explicitly released it under an applicable licence.
If the open source AI movement wants to be seen as anything but an enemy to artists, then it cannot just stomp on artists’ rights in exactly the same way the corporate AIs have. Open source AIs need to have a conversation about consent and informed participation in the project. If an artist chooses to release all their work under an open source licence, then of course open source AIs should be free to use it. But simply taking art without consent or compensation with the claim that it’s fine because the corporate AIs are doing it too is not a good look and goes against the spirit of what open source is. Destroying artists’ livelihoods while claiming they are saving them from someone else destroying their livelihoods will never inspire the kind of enthusiasm from artists that open source AI proponents weirdly feel entitled to.
This is ultimately my problem with the proponents of AI. The open source community is, largely, an amazing group of people whose work I really respect and admire. But genuine proponents of open source aren’t so entitled that they think anyone who doesn’t voluntarily agree to participate in their project should be compelled to do so, which is at the centre of the open source AI community. Open source AI proponents want to have all the data for free, just like the corporate AIs and their tech bro CEOs do, cloaking it in the words of open source while undermining everything that is amazing about open source. I really can’t understand why you don’t see that forcing artists to work for open source projects for free is just as unethical as corporations doing it, and the more AI proponents argue that it’s fine because it’s not evil when they do it, the more artists will see them as being just as evil as the corporations. You cannot force someone to volunteer.
It doesn’t. Making observations about others’ works is a well-established tool for any researchers, reviewers, and people inventing new works. A concept which work perfectly within the open source framework. That’s all these models are, original analysis of its training set in comparison with one another. Because it’s a step one must necessarily take when doing anything, doing this doesn’t require anyone’s permission and is itself a right we all have.
When the purpose of gathering the data is to create a tool that destroys someone’s livelihood, the act of training an AI is not merely “observation”. The AIs cannot exist without using content created by other people, and the spirit of open source doesn’t include appropriating content without consent - especially when it is not for research or educational purposes, but to create a tool that will be used commercially, which open source ones inevitably will be, given the stated purpose is to compete with corporate models.
No argument you can make will convince me that what open source AI proponents are doing is any less unethical or exploitative than what the corporate ones are. Both feel entitled to artists’ labour in exchange for no compensation, and have absolutely no regard for the negative impacts of their projects. The only difference between CEO AI tech bros and open source AI tech bros is the level of wealth. The arrogant entitlement is just the same in both.
Giving all people a tool to help them more effectively communicate, express themselves, learn, and come together is something everyone should get behind.
I firmly believe in the public’s right to access and use information, while acknowledging artists should retain specific rights over their creations. I also accept that the rights they don’t retain have always enabled ethical self-expression and productive dialogue.
Imagine if copyright owners had the power to simply remove whatever wasn’t profitable for them from existence. We’d be hindering critical functions such as critique, investigation, reverse engineering, and even the simple cataloging of knowledge. In place of all that good, we’d have an ideal world for those with money, tyrants, and all those who seek control, and the undermining of the free exchange of ideas.
The problem is that undermining artists by dispersing open source AI to everyone, without having a fundamental change in copyright law that removes power from the corporations as well as individual artists, and a fundamental change in labour law, wealth distribution, and literally everything else, just screws artists over. Proceeding with open source AI, without any other plans or even a realistic path to a complete change in our social and economic structure, is basically just saying “yeah, we’ll sort out the problems later, but right now we’re entitled to do whatever we want, and fuck everybody else”. And that is the tech bro mindset, and the fossil fuel industry, and so, so many others.
AI should be regulated into oblivion until such a time as our social and economic structures can handle it, ie, when all the power and wealth has been redistributed away from the 1% and evenly into the hands of everyone. Open source AI will not change the power that corporations hold. We know this because open source software hasn’t meaningfully changed the power they hold.
I’m also sick of the excuse that AI helps people express themselves, like artistic expression has always been behind some impenetrable wall, with some gatekeeper only allowing a chosen few access. Every single artist had to work incredibly hard to learn the skill. It’s not some innate talent that is gifted to a lucky few. It takes hard work and dedication, just like any other skill. Nothing has ever stopped anyone learning that except the willingness to put the effort in. I don’t think people who tried one doodle and gave up because it was hard are a justifiable reason to destroy workers’ livelihoods.
This isn’t undermining artists, it’s expanding access and knowledge, enabling individuals to take control of their own destinies. Open-source AI will empower artists, existing artists and newly active or returning artists who give this new medium a shot, by giving them the new tools that will push the frontiers of self-expression and redefine creativity this decade.
100 years ago photographers and filmmakers significantly disrupted the careers of most illustrators, story tellers, and theater companies of the time. Despite this, storytelling and image making exploded, entering a new golden age. Musicians panicked over the use of synthesizers in the 80s too often refusing to work with people involved with synthesizers. As a result, there are fewer drummers today than in 1970, but out of that came hip hop and house. Suppressing that tool would have been a huge cultural loss. Generative art hasn’t found its Marley Marl or Frankie Knuckles yet, but they’re out there, and they’re going to do stuff that will blow our minds. Cutting edge tools and techniques have always propelled art and artists forward. Every advancement a leap forward, leaving behind constraints and enabling more people to pursue their creative aspirations.
That reminds me of a presentation I saw a little while back.
If you want to fight against people’s right to freely communicate and express themselves, be my guest, but it’s not a fight you can win.