Cheap to duplicate is great for them. That means larger profit margins.

Gameplay-wise, Rogue is even better than Black Flag. Narratively, Rogue is a disaster fueled by Shay being painfully stupid.

Like Bruce in Batman Beyond. Typically he was on comms helping Terry be Batman, but it was always memorable when he went into the field.

I once had someone flip me off because I put my turn signal on. We were in the right lane, I was turning right, and the left lane was completely empty.

Yes. The pupils were generally only visible in the pre-rendered videos.

He actually did that. Part of the reason Miles Morales was created is that Peter had started a business and actually started making money, which made him less of an everyman.

Now I want to play Plague Inc…

The first and third for sure, don’t think the second will be a significant factor.

The 360 had far less RAM than the average PC of 2010, and the engine has had a memory leak since Morrowind. I never finished New Vegas due to that, even on PC. Moving to a 64-bit version of the engine with Fallout 4 helped a lot, just because it took longer to run out of memory.

The monitor has to send some data to the computer to tell it what screen resolutions it accepts. VGA, HDMI, and DisplayPort will all do that for sure. Less certain about component, composite, and S-Video.

Fuck yes. A slave that takes on the slave owning Templar? Sign me up all day, I want to run into a confederate camp and crush them.

Freedom Cry, the standalone expansion for Black Flag, was essentially this concept in the Carribean. You play as Adewale, a slave turned pirate turned Assassin, and liberate plantations.

Cowboy Bebop and the Ghost in the Shell movies are great places to start.

Anyway, it’s not so much a change in what’s being produced as what’s being imported to the US. There was a good mix of shonen and seinen at first, but shonen sells more merch so we get a lot of it now. Just watch stuff tagged as seinen if you want more mature themes or more sex and gore.

This has been a problem for far, far, longer than you think. The silver age definitely had it, the golden age probably did, and I wouldn’t be surprised if it cropped up in the proto-superhero stories, like Zorro. It’s a consequence of having a long-form story where the narrative’s status quo isn’t allowed to meaningfully change and characters either aren’t allowed to die or aren’t allowed to stay dead. Recurring antagonists also can have much richer characterization and more complex relationships with the protagonists, which makes writing stories about them more appealing the more often they appear.

The usual trajectory for a new superhero or new incarnation of an existing superhero is to start off with street-level problems, then get a nemesis that has strong ties to those street level problems, then have the dynamic between the two grow in prominence to eclipse all other parts of the plot. The Joker, for instance, always starts off as either a mob boss with a gimmick or a serial killer with a gimmick, not far removed from the mundane crime Batman always starts with, but always winds up with a fixation on Batman and spawns stories designed as some commentary on Batman’s no-killing rule. Again and again and again, dozens of times over the decades.

Why? Because the dynamic between the two characters tends to be fascinating and results in audience engagement.

The Tower is bad, but The Devil may be worse. Once you know what Yorinobu is up to, the one ending where he’s stopped before he can pull it off is pretty bad.

Kane Westwood lives in death!

At what point does it become a grass roots movement?

Putin’s made it clear that Trump doesn’t call the shots in their relationship. Trump’s ego can’t handle that, so now Putin is his enemy. We’ve been seeing Trump slowly figure this out over the course of the year, starting from him saying he could end the war in, what did he say, a week? He clearly wasn’t let in on the invasion plan, either because he can’t keep his mouth shut or because Putin thought the war would be over before the election.

Of course, with how senile he’s becoming and his probable recent stroke, it’s unclear if this will stick or he’ll forget about it in a day or two.

https://en.wikipedia.org/wiki/Advice_to_a_Friend_on_Choosing_a_Mistress

More seriously, some people just like older people better. Their interests or personality may make it harder to jibe with people in their own age group, but mesh well with people in another age group. Sometimes they’re ahead of the curve on mental maturity and their peers won’t catch up for a few more years, sometimes they just think they’re more mature than they really are, and sometimes they really would have fit in better if they had been born a couple decades earlier.

Personally, when I was younger, I had a hard time relating to anyone around my age and generally fit in better in conversations with people my parents’ age. As a preteen in the early 2000s, I was reading things like Dune, watching things like Blade Runner, and my music tastes included the Rat Pack. The things the adults talked about were just more my speed. This got to be less and less of a problem as I got older and my current friend group is actually a few years younger than me on average, though I do still have the occasional ‘faux old man’ moments with them.

I love VTMB, but the gameplay was never the highlight, it was always the writing. If the story and characters are well written and it ties into VTMB1 somehow, I’ll consider the title justified. The writing is a pretty high bar, though.

Beginning of internet memes? Maybe. I’d have to look up when that happened. Beginning of memes as a whole? That would be off by several thousand years at a minimum, just going by ones archaeologists have already found.