That’s a street performer ripping off some tourists.
That’s a street performer ripping off some tourists.
You might have to provide that link if you want them to listen.
I think the thing that bothers me is the color shift. Like yes, everything looks more vibrant, but for a game set in a snowstorm in the middle of the night, it sure looks bright and sunny in what i’ve seen.
But if there are infinite guests, could he not have a reservation?
It was randomly put in a radio playlist spotify made for me. I was told the band was good, so I heard the fox, the crow, and the cookie, then january 1979, then 9:27 am, so by the time i heard dormouse I didn’t know what to expect.
The song itself, it’s just weird and dark. It could just be me, but some songs just grab me. It’s, maybe not cinematic is the right word. But it’s powerful, it feels like something is happening over the course of it. And I like songs like that, especially apocalyptic types. Another good example is The End of the World by Aphrodite’s Child. It just puts me in a mood. Set next to a folksy jam about a bird stealing pastries, I was just really interested in it and the guy writing it.
It’s very different, but [dormouse sighs] fascinates me
Because most people aren’t in places like this. Most people don’t care about what the companies do, if they even know. I work next to a guy who buys the new call of duty every time, hates it, and buys the next anyway. Because it’s call of duty. He doesn’t care about mergers, or shutdowns, or what an Activision is.
He plays his games and that’s it. Folks like us, who are concerned with how the sausage gets made, we’re not big enough to make a difference.
That’s Sam Elliot, makng an appearance in The Big Lebowski. He’s a drunk cowboy at a bowling alley bar.
It’s an ad for the Gameboy Pocket.
So going the way of the dodo has… Gone the way of the dodo?
Oglaf.com, beware, boobs and butts abound, and dongs too
I know I’m way late, but this is from the movie Blood Rage, which is set on Thanksgiving. This is actually what happens in this scene.