- cross-posted to:
- technology@lemmy.ml
- cross-posted to:
- technology@lemmy.ml
Avram Piltch is the editor in chief of Tom’s Hardware, and he’s written a thoroughly researched article breaking down the promises and failures of LLM AIs.
Avram Piltch is the editor in chief of Tom’s Hardware, and he’s written a thoroughly researched article breaking down the promises and failures of LLM AIs.
I’m sick and tired of this “parrots the works of others” narrative. Here’s a challenge for you: go to https://huggingface.co/chat/, input some prompt (for example, “Write a three paragraphs scene about Jason and Carol playing hide and seek with some other kids. Jason gets injured, and Carol has to help him.”). And when you get the response, try to find the author that it “parroted”. You won’t be able to - because it wouldn’t just reproduce someone else’s already made scene. It’ll mesh maaany things from all over the training data in such a way that none of them will be even remotely recognizable.
And yet, we know that the work is mechanically derivative.
So is literally every human work in the last 1000 years in every context.
Nothing is “original”. It’s all derivative. Feeding copyrighted work into an algorithm does not in any way violate any copyright law, and anyone telling you otherwise is a liar and a piece of shit. There is no valid interpretation anywhere close.
From Wikipedia, “a derivative work is an expressive creation that includes major copyrightable elements of a first, previously created original work”.
You can probably can the output of an LLM ‘derived’, in the same way that if I counted the number of 'Q’s in Harry Potter the result derived from Rowling’s work.
But it’s not ‘derivative’.
Technically it’s possible for an LLM to output a derivative work if you prompt it to do so. But most of its outputs aren’t.
What was fed into the algorithm? A human decided which major copyrighted elements of previously created original work would seed the algorithm. That’s how we know it’s derivative.
If I take somebody’s copyrighted artwork, and apply Photoshop filters that change the color of every single pixel, have I made an expressive creation that does not include copyrightable elements of a previously created original work? The courts have said “no”, and I think the burden is on AI proponents to show how they fed copyrighted work into an mechanical algorithm, and produced a new expressive creation free of copyrightable elements.
I think the test for “free of copyrightable elements” is pretty simple - can you look at the new creation and recognize any copyrightable elements in it? The process by which it was created doesn’t matter. Maybe I made this post entirely by copy-pasting phrases from other people, who knows (well, I didn’t, only because it would be too much work), but it does not infringe either way…
Well, I think that these models learn in a way similar to humans as in it’s basically impossible to tell where parts of the model came from. And as such the copyright claims are ridiculous. We need less copyright, not more. But, on the other hand, LLMs are not humans, they are tools created by and owned by corporations and I hate to see them profiting off of other people’s work without proper compensation.
I am fine with public domain models being trained on anything and being used for noncommercial purposes without being taken down by copyright claims.
AIs are deterministic.
Train the AI on data without the copyrighted work.
Train the same AI on data with the copyrighted work.
Ask the two instances the same question.
The difference is the contribution of the copyrighted work.
There may be larger questions of precisely how an AI produces one answer when trained with a copyrighted work, and another answer when not trained with the copyrighted work. But we know why the answers are different, and we can show precisely what contribution the copyrighted work makes to the response to any prompt, just by running the AI twice.